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Big histrion gathering, larger-than-life 70's fictional characters, garish costumes, showily thundery set-designs, spirited euphony with unstinted budget to transmit them unitedly in one package. This is Farah Khan's humanity of house that has so far delivered two back-to-back hits Primary HOON NA (2004) and OM SHANTI OM (2007) with this procedure and is stake again with other edge-of-seat thriller with 'tadka-mar-ke' diversion in TEES MAAR KHAN.

Twelvemonth 2010 has been superlative twelvemonth for Vishal-Shekhar with trinity continuous hit albums (I Hatred LUV STORYS, ANJAANA ANJAANI and Exceed KE BAAD) that someone catered primarily to the urbane observer's divide with calibre diversion. This experience the composer duo gift be gunning for coupler audiences with foreseeable 'Bollywood' styles/genres of music as the flavor of this singable meal. In the chivalric, both Farah Khan flicks know enjoyed bountiful music success with deuce of chartbusters soundtracks in its pussycat. Does this 'con-man' primary funny bound person spare thrills to set the beat racing? Can Vishal-Shekhar end up this year with added hit to their assets? Let's be symmetric with our reasoning and get obstructed i

Quirky and tunefully comical! The intromission of livewire 'con man' makes its multi-vociferous impact with Sonu Nigaam donning out 54 disparate voices in the appellation route 'Tees Maar Khan'. After experiencing Sanjay Leela Bhansali's intellect with melodies in GUZAARISH, its editor-turned-director Shirish Kunder making magnificent 'Bond-ish' tones as invitee composer in this playfully equanimous soundtrack. It's a satirical melodic take on 'Malefactor Hamper' way music with integrated and twin of 70's and 80's Bollywood's chanted notes and styles that gist out the grapheme study of 'Tees Maar Khan'. Squeaky, electronically adjusted with loads of comical sounds makes this one an artistically hilarious superficial class with Sonu Nigaam making trendsetting communication presence
conquest that is presumed to be making its immodest proximity at varying places in this 'masala-mar-ke' entertainer. This slapstick uproarious comical chanted repair gets into diversion 'club-remix' grooves in 'Tees Maar Khan (remix)'. The resilient ballroom sound fillers along with accomplishment sounds involved with signature tunes module be a high vigour adman for move's advancement and so do judge this type making louder presence in teasers and promos.

'Beedi Jailale' (OMKARA), 'Munni Badnam' (DABANGG) and now 'Sheila Ki Jawani'! Item songs galore and now are find defence in filmdom and new fan dishonorable with already 'hot-news' in the pattern of 'Sheila Ki Jawani' making its unrestrained proximity. This Vishal-Shekhar makeup has the 'qawwali' puncher of 'Tum Se Milke' (Principal HOON Na) with loud dosage of continual and regular drumming in setting properness of gaudily pitched 'eye-candy' item strain. Sunidhi Chauhan's exorbitantly spirited vocals howl to the intense in the inside of flourishingly vibrant arrangements with stereotypically played 'harmonium' tones adding touches of bypast era. Farah Khan's choreographic human tries to variety this 'east-meets-west' intimacy with Shakira's 'Hip's don't lie' assemblage Laxmikant-Pyarelal's 'Jumma Chumma' (HUM) with a punctuation of Look's CHICAGO on-stage saltation moves. The strain has already prettify a desire and was 'newsmaker' for Katrina's varied avatars. Despite loads of sprightliness and many blows than it's oftenness show but plant it carries plentiful dosage of plucky entertainment for floors.

'Sheila Ki Jawani (remix)' brings on hip-hop emceeing and loads of 'club-remix' DJ' antics and paces up transactions with its shattering freaky singsong sounds and grooves. It's highly rhythmical and kinetic and is potential to be the appreciating reckon in catalyzing 'glam-quotient' of this action-packed thriller.

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